Nikon launches first cinema camera built on RED color science and technology

The new Nikon ZR can record up to 6K/60p (59.94p) and incorporates the new R3D NE RAW video file format with RED color science based on RED’s popular R3D RAW codec, with 15+ stops of dynamic range. This new codec uses color science and exposure standards of RED cameras to ensure accurate color matching. The 4-inch DCI-P3 LCD is bright enough to be used even in direct sunlight, while often eliminating the need for an external monitor. It also has class-leading audio capabilities, such as 32-bit float audio from built-in and external microphones, plus OZO³ directional audio. The ZR also has 7.5 stops of built-in image stabilization (IBIS) and unlocks a whole new world of optical versatility, since the wide Nikon Z mount enables a large variety of lenses to be adapted using third-party lens adaptors.

“We aren’t holding anything back – our first Nikon camera developed with RED has all the creative controls that filmmakers need, with features that have never been seen in this level of handheld cinema camera,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “The Nikon ZR is the camera that will challenge the established video market and will demonstrate Nikon’s commitment to advancing the tools available to video production professionals.”

The new ZR features a full-frame sensor for excellent depth of field and video quality, and supports internal recording up to 12-bit RAW 6K/60p. This is the first camera to use the new 12-bit R3D NE RAW codec, a new RAW format which REDCODE RAW users will find familiar. By leveraging its broad 15+ stop dynamic range, it achieves well-balanced image quality from highlights to shadows. Support for Log3G10 and the REDWideGamutRGB gamut reproduces exposure standards and colors consistent with RED color science, with true RED color tonality, skin tone integrity, and tonal roll-off – similar to the output of RED’s cinema cameras such as the V-RAPTOR [X] and KOMODO-X. Two base ISO sensitivities are available, ISO 800 and ISO 6400⁵, allowing users to choose the best option for a particular scene or situation such as bright daylight or low-light interior scenes. However, just like REDCODE RAW, ISO in R3D NE files is fully adjustable in post for maximum flexibility.

The ZR features a new Cinematic video mode, a user preset for those who want to easily enjoy the RED cinematic look with a faster workflow in less data-intensive non-RAW formats. Cinematic mode automatically adjusts the shutter angle to 180 degrees, changes the frame rate to 24 fps, and applies the RED Cine Bias Picture Control for gorgeous yet simple cinematic color. What’s more, nine RED-curated cinematic Picture Controls based on RED creative LUTs will be available for free download via Nikon Imaging Cloud, expanding possibilities for more diverse imaging expression.

Additional Features of the Nikon ZR

• Super lightweight with small footprint at just 1.19 lb. (body only).
• A short 16mm flange focal distance (the shortest among full-frame cameras) offers greater flexibility in the lenses that can be used, allowing filmmakers to make the most of their existing lens assets.
• The shutter angle can be adjusted from 5.6° to 360° for video recording. Shutter speed is also available.
• The brightness of the information display (histogram/waveform monitor size, transparency and position, and zebra pattern color) can be changed.
• Automatic rotation of vertical video for social media content creation.
• A front tally light /rec lamp lets subjects know you are recording. Additionally, it receives tally control signals input via HDMI-CEC and displays the status of each camera when multiple cameras are used.
• A superior dust- and drip-resistant, durable construction expands shooting possibilities.
• Equipped with advanced still photography features inherited from the Z6III, as well as new features such as a preset for starscape photography and a new dehaze function.
• Slow-motion presets: Instant access to 4K/119.88p and Full HD/239.76p cinematic motion, as well as user modes for 4x and 5x slow-mo.
• It also supports Frame.io Camera to Cloud using NX MobileAir, automatically transferring video data directly to the cloud for a faster and more efficient post-shooting workflow.

RED Digital Cinema, Inc. Releases the V-RAPTOR XE

RED Digital Cinema, Inc., a subsidiary of Nikon, also announced the new V-RAPTOR XE digital cinema camera. The newest addition to its Z CINEMA camera lineup, this streamlined version of the V-RAPTOR [X], curates the essential tools for cinematic storytelling. Designed for independent creators, the V-RAPTOR XE delivers large-format, cinema-grade features at a more accessible price point. The new camera retains RED’s 8K large format (VV) global shutter sensor found in the V-RAPTOR [X] series.

New ME-D10 Shotgun Microphone
The ME-D10 is a 32-bit float shotgun microphone compatible with the new digital accessory shoe developed for the ZR. It requires no battery or cable and has built-in shock mounts to minimize any interference. It offers two recording modes, PURE and FOCUS, which can be selected with a switch on the microphone. PURE mode features a wide dynamic range and a sound design true to the original source, allowing natural and accurate capture of raw audio, including the ambient atmosphere. FOCUS Mode accurately captures the intended voice, even in noisy surroundings such as those outdoors, ensuring clear audio for product presentations and live streams. The ME-D10 shotgun microphone, also scheduled for release in late October, has a suggested retail price of $339.95.